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SAN MARINO, Calif.— A fall exhibition at The Huntington Library, Art Collections, and Botanical Gardens on the American abstract artist Frederick Hammersley (1919-2009) showcases his sketchbooks, notebooks, inventories, and vibrant color swatches to illuminate the painstaking process the artist used to create his hard-edge geometric paintings. “Frederick Hammersley: To Paint without Thinking” is on view in the Susan and Stephen Chandler Wing of The Huntington’s Virginia Steele Scott Galleries of American Art from Oct. 21, 2017 to Jan. 22, 2018. The storyboard artist explained that drawing a storyboard for a TV series doesn’t mean just pumping out a series of quick sketches to describe the action. To accompany the exhibition, The Huntington is publishing a fully illustrated catalog with several scholarly essays revealing new research on the topic. “Frederick Hammersley: To Paint without Thinking” features about 50 objects pairing items from Hammersley’s archives (a recent gift to the Getty Research Institute) with five paintings, including The Huntington’s See saw (1966), and dozens of other works, including lithographs, silkscreens, and works of digital art from the collections of The Huntington, the Los Angeles County Museum of Art, New Mexico Museum of Art, Palm Springs Art Museum, and Santa Barbara Museum of Art. Highlights of the Hammersley archives include his notebooks and sketchbooks, in which the artist developed compositions over a period of decades. In these books, he generally used a two-stage process, first composing postage stamp-sized images—sketched out in pencil, colored pencil, or ballpoint pen—then selecting some compositions for sizing up … Read more